I haven't written about Keil Bay and riding lessons recently, and the past two lessons were very interesting.
Last week we had not ridden in nearly two weeks and my expectations were low. But Keil was relaxed and loose, I had done yoga right before, and the saddle fitter had been to adjust Keil's saddle - the combination of these made for a wonderful lesson. We had some very grand moments together and it remains one of my favorite things in the world when he moves through his back, fully engaged, and I am right there with him.
Yesterday was similar but with a glitch. In the canter, going left, I could feel my left hip torquing oddly to the right - he was on the left lead but his hind end was torqued to the right as well. The amazing thing to me was that I am getting good enough to feel these things instead of having to have them pointed out to me. My trainer hopped on so I could see from the ground what was happening.
And then it clicked. He'd done many yoga stretches during the day and had also stamped his left hind foot as I was grooming his right flank. I'm almost positive his pelvic joint is rotating out of alignment again. It's subtle, which means it's probably not too far out, and it definitely happened since last week. Thankfully, our chiropractor is already coming early next week to see Salina, so we can get this taken care of quickly.
It feels like so many pieces of a puzzle are coming together. With the massage work, the chiro, the excellent training, the saddle fitter, and our progress, the rides become better and better. One day I'll have to do a video of Keil's amazing extended trot. The way he moves says it all.
Tuesday, July 03, 2007
Thursday, June 28, 2007
revisions
Writing group today was very provocative. It came up that I might consider switching POV of one character to a very close third instead of first. The prospect is intriguing - I'm eager to try it out and see how it works for this particular character.
In a tangent from that idea, it occurred to me that one of the POV characters I'm having the most trouble with might be better w/o his own POV sections.
These ideas mean lots of work, but this is just the kind of thing I love doing when working on a novel. I get impatient b/c of the time issue and wanting to have finished mss ready to go, but finding the right way to tell the story is one of the best things about writing.
Now, I just need a solid month at Weymouth.
***
Addendum on Friday:
If not a solid month at Weymouth, an afternoon of solid thunderstorms and a gorgeous book written in close third by my side to read excerpts from now and then.
I've gotten through the first 30 pages doing the revisions as noted above and am now going back through to incorporate the other feedback from yesterday's group into the new pages. And having a tremendous amount of fun doing it.
The book by my side is FINN, by Jon Clinch. I will be diving in properly later this evening, but I can tell by the first page this one will be a favorite. My daughter is, in an unrelated but yet perfectly related coincidence, walking around with her nose quite literally stuck inside The Adventures of Huckleberry Finn, reading about the son while her mom reads about the father.
In a tangent from that idea, it occurred to me that one of the POV characters I'm having the most trouble with might be better w/o his own POV sections.
These ideas mean lots of work, but this is just the kind of thing I love doing when working on a novel. I get impatient b/c of the time issue and wanting to have finished mss ready to go, but finding the right way to tell the story is one of the best things about writing.
Now, I just need a solid month at Weymouth.
***
Addendum on Friday:
If not a solid month at Weymouth, an afternoon of solid thunderstorms and a gorgeous book written in close third by my side to read excerpts from now and then.
I've gotten through the first 30 pages doing the revisions as noted above and am now going back through to incorporate the other feedback from yesterday's group into the new pages. And having a tremendous amount of fun doing it.
The book by my side is FINN, by Jon Clinch. I will be diving in properly later this evening, but I can tell by the first page this one will be a favorite. My daughter is, in an unrelated but yet perfectly related coincidence, walking around with her nose quite literally stuck inside The Adventures of Huckleberry Finn, reading about the son while her mom reads about the father.
Sunday, June 24, 2007
tree spirits
Every time I walk outside I am drawn to this tree's strong spirit. The split is visually appealing and its position on a rise in the earth, surrounded by a bed of moss, invites anyone passing by to stop and sit for a while.
Behind the tree there's a little clearing, almost like a secret room, currently occupied by our compost bin and a broken chair awaiting a new purpose. I have an idea that I'll get a camp desk and chair and set it up in there, the perfect spot for composing scenes, poems, blog entries.
Thursday, June 21, 2007
summer solstice/the longest day
Wednesday, June 20, 2007
raccoon synchronicity
My last night at Weymouth I glanced out the window and saw something very small scurrying along the ground. My first thought was that it was an injured kitten, so I ran out to see. It wasn't a kitten. It was a baby raccoon!
The baby let me get incredibly close. I went inside for the camera and took these photos - very blurry as it was deep dusk and I wouldn't use the flash. Still, you can see the characteristic markings that make raccoons so very charming.
The most amazing thing about this sighting is that the main character in the book I was revising has a significant encounter with a raccoon - she looks out and sees one, though it's not a baby in the book.
When I got home I immediately turned to Ted Andrews' wonderful book Animal-Speak. This is what he has to say about raccoons:
Raccoons are extremely curious, which is partly why they often get into things they shouldn't. They love to explore. Their nocturnal excursions can be likened to mini-adventures. They can be very curious about new realms and will examine anything that fascinates them.
One of the most striking features of the raccoon is the mask that it wears. Although some associate this with thievery, it actually gives the raccoon a very powerful mystical symbolism. The use of masks to achieve altered states and for other healing and ritual purposes has been a part of every society. Mask making is an ancient art employed all over the world for ceremony, celebration, and in magical practices.
Concealed behind a mask, people could become something or someone else. Masks are invested with mystery. They are tools for transformation. The hidden aspect, the secrecy , helps promote the transformation. It helps us to change what we are to what we want to be.
Just as there is with the raccoon, with masks there is ambiguity and equivocation. When we wear a mask we are no longer who we thought. We make ourselves one with some other force. We create a doorway in the mind and in the physical world a threshold that we can cross to new dimensions and new beingness.
***
All three main characters in my book are on this journey, but the female who sees the raccoon is the one whose path most matches the words above. Amazingly, the above passage has given me a much-needed clue to my character, an aspect to her that I had not yet discovered. It's already layering into my next edit.
The raccoon sighting is a gift. A synchronicity. Being so close to a baby raccoon was itself magical. That it fit so perfectly with what I was working on went even further. Discovering the deeper layer is part of what makes me love the writing process. Every day is a treasure hunt. Every character is a mystery.
The baby let me get incredibly close. I went inside for the camera and took these photos - very blurry as it was deep dusk and I wouldn't use the flash. Still, you can see the characteristic markings that make raccoons so very charming.
The most amazing thing about this sighting is that the main character in the book I was revising has a significant encounter with a raccoon - she looks out and sees one, though it's not a baby in the book.
When I got home I immediately turned to Ted Andrews' wonderful book Animal-Speak. This is what he has to say about raccoons:
Raccoons are extremely curious, which is partly why they often get into things they shouldn't. They love to explore. Their nocturnal excursions can be likened to mini-adventures. They can be very curious about new realms and will examine anything that fascinates them.
One of the most striking features of the raccoon is the mask that it wears. Although some associate this with thievery, it actually gives the raccoon a very powerful mystical symbolism. The use of masks to achieve altered states and for other healing and ritual purposes has been a part of every society. Mask making is an ancient art employed all over the world for ceremony, celebration, and in magical practices.
Concealed behind a mask, people could become something or someone else. Masks are invested with mystery. They are tools for transformation. The hidden aspect, the secrecy , helps promote the transformation. It helps us to change what we are to what we want to be.
Just as there is with the raccoon, with masks there is ambiguity and equivocation. When we wear a mask we are no longer who we thought. We make ourselves one with some other force. We create a doorway in the mind and in the physical world a threshold that we can cross to new dimensions and new beingness.
***
All three main characters in my book are on this journey, but the female who sees the raccoon is the one whose path most matches the words above. Amazingly, the above passage has given me a much-needed clue to my character, an aspect to her that I had not yet discovered. It's already layering into my next edit.
The raccoon sighting is a gift. A synchronicity. Being so close to a baby raccoon was itself magical. That it fit so perfectly with what I was working on went even further. Discovering the deeper layer is part of what makes me love the writing process. Every day is a treasure hunt. Every character is a mystery.
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