Tuesday, April 13, 2010
the nature of work
For the past five days, my work space was the above, a double room at a mansion that offers writing retreats for the very lucky writers in our state, thanks to an organization and wonderful group of people who are committed to maintaining this historic home as well as the philosophy that artists need space and time to create.
Indeed, this trip provided that, and I came home happy and satisfied that I'd met my writing goals while there.
This morning I returned to my usual place of work, this messy desk, where I am surrounded by mail, seed packets, to do lists, books, stacks of paper in need of filing, and a few talismen that manage to keep me inspired despite the clutter: the feather of a crow that I found in my labyrinth path, two stones my writer friend Dawn brought me from Shakespeare's stomping grounds, a carved bird, a white fairy horse, and the stuffed magical pony Ryan that Dawn gave me for my birthday.
Although clutter on my desk is not my preferred way of being, most days I have to make the choice. Focus on household chores including decluttering, or spend time in my other main work space, the barn. Not much of a choice! I headed out and was immediately transported back into the world of horses, donkeys, and the morning routine that at this time of year involves quite a bit of labor.
Mixing and feeding breakfast tubs, getting stalls set up with hay and clean water, doing a light groom and tick check, fly masks, etc.
The work I did in the lovely pristine room above for the past few days was its own kind of labor. Pulling together a book-length story that has been in my head for many years now, needing to get the first draft out so I can move on to the different task of editing and polishing, is a job, although one I happen to love very much. The last two days I struggled a bit with the idea of ending. Not the ending itself - that was there all along, and accessible. What I battled was the work of ending something that has been ongoing for what feels like a very long time. I finally did it yesterday before lunch, and when I read the final chapter out loud to Dawn in the early evening, I started crying as I tried to read the last two paragraphs.
It's been awhile since I wrote the last page of the first draft of a novel. I'd forgotten how emotional I get when I do it. In the end, Dawn had to take my laptop and read that last bit out loud FOR me. And the work of writing, the labor of it, the shift from novel-in-progress to complete draft, was done.
Once it was read out loud, it was fine. There's a reason writing a book is often compared to giving birth.
This morning I came back to the more physical labor of keeping horses. As I scrubbed buckets and mixed feed tubs and stuffed hay nets, I realized that the beauty of my writing retreat is actually the same beauty of my daily life. Both involve meaningful work, and work that has meaning, and even when there are rough days where things don't exactly flow, underneath the bumps and struggles there is the deep sense that what I'm doing makes me happy, and matters on some level.
My friend Dawn wrote a beautiful post this weekend, which you can read HERE.
Something about what she wrote made me think about art and work and the value of how we choose to spend our time. And the value of how we VIEW the way we choose to spend our time.
If I were in charge of everything, career counselors and guidance counselors would teach students of all ages not only how to find meaningful work, but the skill of finding meaning in our work, because we need both skills in our lives.
Today I'm grateful for the work I have in front of me, and that all of it has the potential to give me joy and satisfaction, whether it be writing a page that sings, or treating a mare's tick bite so carefully and gently she lifts her tail and stretches her neck in appreciation. Editing pages and finding the silver threads along the way, or rinsing beet pulp until the water runs clear.
Sunday, April 11, 2010
kairos
My time on retreat has been special - outside regular time, almost as if I've left daylight saving time, eastern standard time, and entered magical writing time. It's always special down here, but this trip seems particularly potent.
The first full day I was given the name of an editor for my book by a random visitor to the mansion, a perfect poem arrived in my Writer's Almanac daily email, and I found myself being incredibly productive writing-wise, instantly upon arriving. No decompression time, no transition between regular life and writing retreat. Just. Writing. Now.
Yesterday I had a major breakthrough connecting something I'd just written to the earlier chapters of the book.
Today I am working on the final two chapters, in that magical space where the entirety of what's left to write is hanging fully formed in front of me. I'm the funnel, and all I have to do is make sure I keep myself in place so the words can filter down.
This morning a dove landed on the iron rail outside my bedroom window, directly facing me as I typed. It called out two times, looking into my eyes, and then flew away.
This afternoon there's a concert downstairs, so the music of violins and piano and other stringed instruments will be floating through the various wings and hallways of the mansion. I'm trying to time it so I write the last chapter during the concert. I like the idea of finishing this pony novel with music.
Tonight we'll read pages out loud and tomorrow I'll be in the wonderful position of tying up the loose ends I've discovered in the ms. When I get home I'll let it sit for a week and then dive into editing.
Sometimes when I'm here time goes too quickly, but this trip it's being perfect. I'm so in awe of things lining up this way.
The first full day I was given the name of an editor for my book by a random visitor to the mansion, a perfect poem arrived in my Writer's Almanac daily email, and I found myself being incredibly productive writing-wise, instantly upon arriving. No decompression time, no transition between regular life and writing retreat. Just. Writing. Now.
Yesterday I had a major breakthrough connecting something I'd just written to the earlier chapters of the book.
Today I am working on the final two chapters, in that magical space where the entirety of what's left to write is hanging fully formed in front of me. I'm the funnel, and all I have to do is make sure I keep myself in place so the words can filter down.
This morning a dove landed on the iron rail outside my bedroom window, directly facing me as I typed. It called out two times, looking into my eyes, and then flew away.
This afternoon there's a concert downstairs, so the music of violins and piano and other stringed instruments will be floating through the various wings and hallways of the mansion. I'm trying to time it so I write the last chapter during the concert. I like the idea of finishing this pony novel with music.
Tonight we'll read pages out loud and tomorrow I'll be in the wonderful position of tying up the loose ends I've discovered in the ms. When I get home I'll let it sit for a week and then dive into editing.
Sometimes when I'm here time goes too quickly, but this trip it's being perfect. I'm so in awe of things lining up this way.
Thursday, April 08, 2010
heading off to writing retreat
Time flies - it's writing retreat day, and I'm getting packed and heading out soon. The magical ponies are ready to ride, and I'm leaving the real magical ponies at home in a cloud of pollen. With my sincerest hope that the rain comes tonight and cleans everything up for them.
Also leaving behind a list a mile long for husband. (Sheaffer, this is when I need your love of lists and perfect memory - though it would be hard to choose - leave you here as my list-enforcer or take you with me to the mansion - I think you'd be going with me!)
It's funny and wonderful that even in the midst of the hard part about writing retreat, which is extricating myself from my routine here, from the animals and all the things they bring to my days, I can already feel the pull of the story I'm working on. The promise of uninterrupted time and perfect space always revs the writing engine.
Also leaving behind a list a mile long for husband. (Sheaffer, this is when I need your love of lists and perfect memory - though it would be hard to choose - leave you here as my list-enforcer or take you with me to the mansion - I think you'd be going with me!)
It's funny and wonderful that even in the midst of the hard part about writing retreat, which is extricating myself from my routine here, from the animals and all the things they bring to my days, I can already feel the pull of the story I'm working on. The promise of uninterrupted time and perfect space always revs the writing engine.
Wednesday, April 07, 2010
shop for the cause!
Just discovered these stickers:
I LOVE it!
Plus a number of other cool items including shirts, jackets, more stickers, and a saddle pad with the anti-rollkur symbol on the corner.
SHOP HERE.
Stock up and go to your local spring shows!
I LOVE it!
Plus a number of other cool items including shirts, jackets, more stickers, and a saddle pad with the anti-rollkur symbol on the corner.
SHOP HERE.
Stock up and go to your local spring shows!
beet pulp meditation
I don't know how many of you feed beet pulp to your horses, but three of ours get it and the rinse/soak/rinse method we use to prepare the shreds for the meals is something of a ritual here.
Salina gets beet pulp 4x/day and Keil Bay and Cody get it 2x. I like the beet pulp to soak for hours but prefer not to make it all up at once because of the way we do it. I use Rubbermaid pitchers for ease of rinsing and so beet pulp making gets done after the last feed of the day (9 p.m.), after feeding breakfast (about 9:30 a.m.), and again after Salina's first lunch (1 p.m.).
Rinsing 'til the water runs clear takes a bit of time, so as you can see, this beet pulp making ritual is a regular part of every day on November Hill.
Suffice it to say that when one introduces a ritual to more than one person in a family, each one will adapt it to his/her own methods, even given some basic instructions that need to be followed.
In an effort to stop nagging and yet remain clear about what needs to happen with reference to the actual, physical rinsing of the shreds, I made an instruction sheet. But then I thought that if I shared some of my own inner routine with family members, they might come to see the ritual of the beet pulp as something more than just a heinous chore that never ends.
That in fact they might embrace it, and I might be able to give up my role of beet pulp monitor.
When I installed my effort on the laundry room wall, my husband saw it immediately and began to laugh. "You have to put this on your blog," he said.
I laughed too, because I knew he would, and I wanted there to be a certain amount of humor brought into the moment, but guess what?
I am also serious!
Using visualization and metaphor to transform the drudgery of daily tasks and chores into useful rituals is is a powerful tool in learning to be more present in the moment, reframing feelings of annoyance and dread, and turning tedium into magic.
I've taught these tools to clients for many years, and I use them myself pretty much all day, every day. Of course, when people get referred to you for your expertise, and pay for it, they tend to give it value. Around here, I'm more likely to get laughter and sometimes the rolling of eyes. Maybe I need to send a statement of account and see who gets the last laugh! :)
Salina gets beet pulp 4x/day and Keil Bay and Cody get it 2x. I like the beet pulp to soak for hours but prefer not to make it all up at once because of the way we do it. I use Rubbermaid pitchers for ease of rinsing and so beet pulp making gets done after the last feed of the day (9 p.m.), after feeding breakfast (about 9:30 a.m.), and again after Salina's first lunch (1 p.m.).
Rinsing 'til the water runs clear takes a bit of time, so as you can see, this beet pulp making ritual is a regular part of every day on November Hill.
Suffice it to say that when one introduces a ritual to more than one person in a family, each one will adapt it to his/her own methods, even given some basic instructions that need to be followed.
In an effort to stop nagging and yet remain clear about what needs to happen with reference to the actual, physical rinsing of the shreds, I made an instruction sheet. But then I thought that if I shared some of my own inner routine with family members, they might come to see the ritual of the beet pulp as something more than just a heinous chore that never ends.
That in fact they might embrace it, and I might be able to give up my role of beet pulp monitor.
When I installed my effort on the laundry room wall, my husband saw it immediately and began to laugh. "You have to put this on your blog," he said.
I laughed too, because I knew he would, and I wanted there to be a certain amount of humor brought into the moment, but guess what?
I am also serious!
Using visualization and metaphor to transform the drudgery of daily tasks and chores into useful rituals is is a powerful tool in learning to be more present in the moment, reframing feelings of annoyance and dread, and turning tedium into magic.
I've taught these tools to clients for many years, and I use them myself pretty much all day, every day. Of course, when people get referred to you for your expertise, and pay for it, they tend to give it value. Around here, I'm more likely to get laughter and sometimes the rolling of eyes. Maybe I need to send a statement of account and see who gets the last laugh! :)
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