lessons in riding, 13: rain is good

Today I was determined to get a ride in between my morning chores and our hoof trim/consult this afternoon for Rafer Johnson.

Rain was due to blow in today but it was delayed so I managed to get all the work done and thought I was ahead of the game to ride too. I did a quicker groom than usual on Keil Bay and tacked up. Just as we walked through the arena gate the rain started.

I have ridden in rain before but I'm generally not going to start a ride in the rain - if it starts while I'm already riding I'll finish up. But our string of great rides has been so wonderful and yesterday's canter was so beautiful I really wanted to ride today.

The wind was gusting, the rain was falling, but there we were. All tacked up and ready to go. So I got on.

I hoped it might stop, or at least stay minimal. Keil Bay went into the most gorgeous frame the moment we walked off from the mounting block. I was instantly sucked into the ride. We warmed up at the walk as usual. The harder the rain fell, the better he got.

And the wetter, but I barely noticed.

The trot work was incredible. And the rain got harder and he got better. It was bizarre! But wonderful. He seemed to enjoy the work. By that time the entire herd had come in and gathered underneath the barn shelter, where they stood and watched as Keil and I kept going. He was in total work mode. Focused, alert, completely balanced between fore and hind. I felt the circle of energy going from my legs and through my hands.

I could not bring myself to stop. We got wetter and wetter and neither of us cared. At one point we were doing a very collected trot against the rain, which was slanting toward us. It felt like the angle of the rain actually slowed us into the collected trot.

I've seen Keil Bay circling his herd in rain storms before, where he looked like the paintings and sculptures of the Etruscan horses, rounded and soldier-like, and that's what he was doing today, except I was on his back instead of watching from the ground.

At some point it occurred to me that I usually find a good note to stop on - but today, even though the weather itself was providing a huge "stop" note, the work was so perfect there was simply no way to measure when to stop. What finally did it was when my eyes got so full of water I couldn't see.

In the barn, I realized everything was drenched except the area under Keil's sheepskin pad and the area of the saddle I was sitting in/on. But I was ecstatic and so was he. His bridle was dripping when I pulled it forward over his ears. I piled his manger with hay and gave him his post-ride snack of alfalfa pellets and oats. I was so nurtured by the ride we had I didn't realize until dinnertime tonight that I literally had nothing to eat all day long.

I'm not sure what the lesson is here - except that when you feel the pull to ride, go for it. I would never have thought a ride in the pouring rain could be so incredible, but it was.

and a little addendum to the previous post

I was so curious about Keil Bay's incredible forwardness the past two evenings I made sure that yesterday I got into the arena with him well before sunset. Mid-afternoon, in fact, and with our crazy weather it was also actually MUGGY out, with some biting flies that obviously took advantage of the weather to propagate and find horses' legs.

It wasn't actually summery outside, but close enough, considering they all have winter coats at this point.

So, the question was, was Keil Bay's extreme forward motion because I was riding him at night? Or is he really feeling that good?

He is really feeling that good.

I did a nice warm-up at the walk and we moved right into the trot. Big trot. Forward trot. Ears up trot. Power trot. And then some trot that got so powerful it felt like Keil Bay was going to motor us right through the arena fence. In several places around the arena he was trying to leap into the canter.

We did some trot serpentine work in an effort (on my part) to use up some of that energy. It worked *while* we were in the serpentines but as soon as we were on the rail again, he really really wanted to canter. He was getting very annoyed that I wouldn't let him, and I was feeling like if I DID let him it would be like releasing a highly-taut spring. Could I stay with that?

Probably I should have used the mantra "just do it" but I got hung up envisioning that spring releasing and me trying to sit on it, and psyched myself right out of trying.

Daughter happened to be riding Cody at the same time so I asked her if she wanted to hop on Keil Bay and see what his canter looked like. She got off Cody and hopped on the Big Bay. One walk stride, two walk strides, CANTER.

It didn't burst out in any way except beautifully, but it was big and it was forward. He looked absolutely fabulous. (and so did daughter!)

She stopped briefly to raise the stirrups a hole and then cantered him in both directions. When she got off I asked how it felt and she said "weird."

What? That gorgeous canter felt weird?

"It was like a big fast rocking horse."

And all I can say is:

The power.

The brilliance.

The Hanoverian.

KEIL BAY.

He's a rocking horse for big girls. :)

lessons in riding, 12

Taking a brief break from holiday shopping posts to talk a little bit about riding the Big Bay.

He's had two weeks off after his corneal scratch and then his chiro work. The scratch healed well, and during that part of the break I rode Cody several times. I truly dislike the dressage saddle I normally ride Cody in, so I used my Thinline sheepskin pad on Cody along with Keil Bay's saddle, and one cold day pulled out my sheepskin seat saver pad - instant warmth in the saddle and it's been nice having the cushioning. I think riding Cody a number of times while NOT getting to ride Keil Bay set me up for a big realization.

The first thing that happened was I realized how tall he is! Cody is 15.3h and Keil is 16.2h - the difference seems much more than those few inches. I put my 2-step mounting block on top of some carefully arranged cinder blocks, lowered my stirrups two holes, and for whatever reason my fidgeting about the mounting process has stopped. It's no surprise that once *I* stopped fidgeting so did the horses.

I'm not sure why I had my stirrups up two holes while riding Cody but it felt glorious, notably glorious, to have them longer last night. I felt like my hips had opened and my legs grew longer, and everything just "fit" perfectly.

We had a hoot owl calling in the woods, night fell quickly, and Keil Bay was extremely alert and forward. There have been times when I felt nervous about this combination of things if I haven't been riding regularly, but last night I was so happy to be back on Keil Bay I was thrilled. We warmed up and then moved into some trot work. Cody has a smooth trot but I find it hard to post because the stride is so much shorter than Keil's. It felt like I had returned home after a journey - posting to Keil's trot. I was really enjoying the cadence and the ease of the up-down. It wasn't the best ride we've ever had but it was wonderful to be feeling his movement again. On some level maybe after what happened with Salina and then Keil's swollen knee and scratched cornea I just appreciated every moment that much more.
Tonight we had another ride and this one was quite stunning. Keil was alert and very forward again. The interesting thing is that he was not spooky. Just alert and forward. We did a good warm-up and incorporated a lot of serpentines into that. I'm not sure if it was the warming up or just the forward, but when we went into trot things got better than good very quickly. We went right into the power trot, but the most surprising thing was that when we trotted on the left rein, on a 20m circle, Keil was completely supple and I think we had probably the best work going left that we've ever had. He got soft and round and his bend was perfect, and my rising trot spontaneously shifted into sitting trot because his carriage was so perfect there was just no rising motion to be done. When I sat and his back came up beneath me, he went even rounder, got softer, and we went a full circle in what felt like pure schwung.

I am still feeling the effects of that perfect circle. Sitting here typing I can still feel exactly how it felt.

Lesson: sometimes you don't have to work for good things. Just get on and let the magic happen.

holiday shopping for horsewomen, day 3, with Snoopy

These are a few of the things that have been on my "we need this" list this year, and although not local, artsy items, they are creative in that they solve some very specific problems for those of us who ride and live with horses.

First, my Ariat paddock boots are still going strong. With half chaps or without they are probably my favorite pair of boots ever. The one thing wearing out a bit is the Cobalt footbed inside the boot. It's just not as cushy as it once was. Imagine my delight when I found these:

Here's ONE PLACE you can buy them.  I found them locally and purchased them there. Our most local tack shop went out of business last month, after five years, so I'm trying to support those remaining as much as possible. It's so nice to be able to see and try things before ordering, and to get something NOW when you really need it.

A great stocking stuffer, imo!


My daughter developed a nasty rub on one leg a few months back - inside calf where the stirrup leathers are. This happened through leather half chaps, breeches, and socks, and I still don't know exactly how it managed to form through all that, but the worst part has been keeping it from re-opening since she continues to ride. She's been wrapping the area with various combinations of gauze and bandaging and that has worked, but it's messy and I kept thinking there had to be an elegant solution.  There is:

Equifit Gel Bands. I couldn't find these locally so got a pair that are exactly like this but do not have the medicated gel part. I figured we could add our own ointment to the site, but if they don't fit the bill for us, I'll GO HERE and try these.  Again, a nice stocking stuffer for someone who rides a lot and might need them at some point. This is the kind of thing you want to have on hand when you need it!

While researching these, I also discovered that a lot of riders keep moleskin patches on hand to use for similar issues.  I haven't found these locally yet but HERE'S ONE PLACE you can get a bulk pack online.

I was browsing a local consignment shop yesterday and came upon something that made me stop and literally gasp in pleasure. It wasn't on the list of things I was looking for, but it is something all of us who ride might well need and use if we had it. An oilskin riding slicker!

Unfortunately for me, the one I found was not in my size. Fortunately for my daughter, it is in HER size, so I might make a return trek to get it if she thinks she might use it. The one I found is from Ireland and it is possibly the most gorgeous thing I've ever seen. Beautiful, well-made, and one of those items that while not used on a daily basis is perfect when the conditions are right.

I found THIS PAGE online that shows several options for riding slickers and links to places you can buy them.

Finally, continuing my theme of music from day 2, I found this:

Lantern, you ask?  Well, not exactly - it's an outdoor speaker! It's wireless and connects to your iPod and the lantern speaker itself can be mounted on arena posts at all four corners or anywhere you like so you can do musical freestyles. Or just have some music while you ride. Or play Jane Savoie's audio CDs from her Happy Horse collection. I've looked and looked to find just the right thing for our arena, and I think this might be it. At around $110. per speaker, I can buy one to try and then add the others as needed. You can find them HERE.

Guess who the first musical freestyle guinea pig is going to be?

And guess what song?



Listen to the lyrics and imagine the Little Man doing his big extended trot across the diagonal to this part... someday I'll fly... someday I'll soar... cause I'm bigger than my body gives me credit for...

more holiday shopping on November Hill - day 2, with more Charlie Brown

Love love love the Charlie Brown Christmas Show dance scene! In the spirit of music and dancing,  here are a few links to some terrific music:

A few years ago I bought the original Vince Guaraldi Trio Charlie Brown Christmas soundtrack at Starbuck's. I think I listened to it all of that year - I love the songs. And guess what? You can still get it! CLICK HERE for one buying option.

Yesterday the lovely Anna March posted her first Aural Fixations post on The Rumpus. Anna's writing paired with an amazing songlist is gift enough, but I found two new artists whose work I immediately snapped up on iTunes:

Ruth Brown's songs - Ms. B's Blues: Essential Recordings and in particular the song "I'm Gonna Move to the Outskirts of Town" - LOVE it!!




And an old friend who is an incredible singer/songwriter with a new CD out, Lynn Blakey and her Meadowview.

Here's a live version of the song Immigrant Heart, which she plays and sings with her husband Ecki Heins:



If you love Lynn's voice as much as I do, check out her work with Tres Chicas and Glory Fountain too.